New This Week – 12/22/17

This is the art for the gay series, Danny the Manny

Danny is a babysitter struggling to balance his lives as a gay man dating in his twenties, an actor auditioning in Hollywood, and a babysitter looking after a surly six year-old named Quinn. When he discovers Quinn has a penchant for cross-dressing, Danny resolves to uncover the truth behind this inclination. Is Quinn under the LGBT umbrella, or is his hobby just a phase? What’s a manny to do? ‘Danny the Manny’ is now available to stream on Dekkoo.com!

This is the art for the Michael Henry collection

‘The Michael Henry Collection For The Homosexual On The Go’ is a fun, light, important array of videos targeted towards the humorous homosexual. If you feel ready to step into this world of perfection, jealousy, high society and farts click on the clickable area of this section. Brought to you by Michael Henry, a weirdo. The second collection of Michael’s hilarious short videos are now available to stream on Dekkoo!

This is the art for the gay short film 'Flight to Sinai'

16 year-old Jack Strong is a San Francisco high school student, who attempts to reconcile his sexuality with his Christian upbringing. He courageously asserts — in song no less! — that his challenge is to live genuinely despite pressure from his parents and church to change who he is. Watch ‘Flight to Sinai’ on Dekkoo.com!

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Coming next week: “A poetic, beautifully acted tour de force.” – The New York Post

New This Week – 12/15/17

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An eccentric, aging psychotherapist forms an unusual bond with his newest patient, a much younger gay man suffering from depression and boyfriend problems. Wildly inventive and relentlessly sexy, ‘Seat in Shadow’ is a strange little mind-fuck from Scotland.

This is the art for the gay film 'When Edith's Bells Toll'

Director Ades Zabel has been an integral part of the Berlin cabaret and drag scene since the 1980’s. His hilarious stage character Edith Schröder, for whom he is best known, stars in this drag holiday comedy filled with unforgettable and often crude humor. ‘When Edith’s Bells Toll’ is the perfect recipe for the holiday season.

This is the art for the gay short film 'Yeah, Kowalski!'

13-year-old Gabe Kowalski is a late bloomer whose attempts to impress Shane, a more mature classmate, get him into a hairy situation. The adorable gay short, ‘Yeah, Kowalksi!’ is now available to stream on Dekkoo!

The Famous Joe Project

Joe, in the midst of dropping out of college and coming out as gay, decides to record the everyday activities of his life on a handheld mini-video and post the clips to the internet. Soon after he begins this experiment, Joe meets Jesus, a narcissistic hustler drawn to the idea of constantly being on camera. Watch ‘The Famous Joe Project’ now on Dekkoo.com!

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Coming next week: A wonderful series about a boy named Danny who is struggling to balance his lives as a queer person dating in his twenties, an actor auditioning in Hollywood, and a babysitter mothering a surly six year-old named Quinn.

Elizabeth Gracen, director of The Damn Deal, interview.

Have you watched The Damn Deal on Dekkoo yet? It’s a captivating, beautifully lit and shot black-and-white documentary about identity and what it was like to grow up gay in the South at the end of the 20th century. Originally shot in 1997, filmmaker, writer and former Miss America, Elizabeth Gracen, interviewed three young female impersonators who competed in the Miss Gay America Pageant.

In anticipation of the 44th Miss Gay America pageant happening in Memphis from October 5 – 9, Elizabeth Gracen talked about the making of The Damn Deal. It’s a wonderful interview we thought you might like to read.

Miss America 1983 Elizabeth Gracen. Photo by Emma Bogren.

‘My brother was a huge football star and now with me in competition in pageants, that’s my football – that’s me being a football star. I’m just a beautiful football star.” 

– Spencer May/Kelly Cruise, Miss Gay Arkansas America 1993, from ‘The Damn Deal’ (1997)

In 1997, filmmaker, writer and former Miss America, Elizabeth Gracen, interviewed three young female impersonators who competed in the Miss Gay America Pageant system for her captivating, beautifully lit and shot black-and-white documentary “The Damn Deal” (Flapper Films). The recovered, original footage, now restored, explores gender, identity and what it was like to grow up gay in the South at the end of the 20th century.

Crowned Miss America in 1982, Gracen (Elizabeth Ward at the time) went on to study acting, pose on the cover of Playboy, star (as Amanda) in the Nineties TV series “Highlander,” and established her own film production company (Flapper Films) and boutique publishing company (Flapper Press). She recently filmed actress Lee Meriweather for a documentary short and in March released her first Young Adult fantasy novel, “Shallily.”

In anticipation of the 44th Miss Gay America pageant happening in Memphis from October 5 – 9, Gracen talks about the making of “The Damn Deal.”

What initially inspired you to make “The Damn Deal”?

I had the good fortune to meet Spencer May and Michael Thornberry (two of the stars of “The Damn Deal” at a hair salon in Little Rock, Arkansas. I think it was Michael who told me about the local female impersonator pageant. They took me along to the pageant at the Discovery nightclub, and I was allowed to stay backstage as the contestants got ready for competition. I remember sitting in the corner, fascinated with their process. I don’t know what they thought about a former Miss America “spying” on them!

Not long after that, I had the idea to capture Spencer on camera as he morphed from male to female as I asked him questions about his life and experience in the world of female impersonation and pageants. I met Stan Ferguson around that time as well. Sadly, he passed away about two months after we filmed. Michael Thornberry joined on shortly after that.

You judged a Miss Gay Arkansas America pageant. What was your impression?

I think Spencer May got me the gig of judging the Miss Gay Arkansas pageant. It was a wonderful time! I’d never seen anything like it. Back then, I had no idea that there was such a vibrant female impersonator venue in Arkansas. I mean, come on! – Arkansas is smack dab in the Bible Belt! I think that the Discovery nightclub still hosts fabulous shows, but back then… I just think it is amazing that the place existed at all!

Though Miss Gay America is based on the Miss America pageant system, these are men impersonating women. Aside from the obvious differences, what struck you the most? At the time I shot the film, I had been away from the pageant world for quite some time. I was questioning the value of women having to compete with each other to wear a crown. The world of the Miss Gay America system has its parallels, but I think the process is much more exact and arduous. The dedication it takes to bring a “creation” to life takes focus, passion and sense of fun. I think it is a much more difficult endeavor than what I had to go through when I competed. I really admire what they do and the artistry it takes to bring their “creations” to life.

And what did you find similar to Miss America about MGA?

Well, these guys are definitely “in it to win it” when it comes to competition. That is very similar to what I experienced when I was involved in the pageant world in the early 1980s. Obviously, the theatricality is enhanced – the makeup, hair and flamboyant aspect to the performances. However, I think the MGA system hits all the same points when it comes to the attention to detail and the desire to be the “best you can be” at what you are trying to achieve. Honey, they all want that crown!

Many of the men talk about how impersonating a strong woman, inventing a new self, has empowered them. Did you find–for you personally or other women–that competing in the Miss America system was the same kind of empowering experience?

I think that the whole female impersonation pageant experience is very different than what a young woman experiences during her pursuit in the pageant world. For men, I see it as a grand experiment–very artistic and full of humor and curiosity. They are empowered by that experimentation, and I think it kicks it up a notch for them to compete with each other. They really seem to be having fun, and they want to put on a great show for the audience.

For women, or at least with my experience in the pageant system, it involves a different aspect of “facade.” I was only 20 when I won Miss America. I’m from a small town in Arkansas, and I’d been on an airplane only one time before I arrived in Atlantic City. I was very focused and determined, but I had no idea, really, about who I was. It was more about being perfect. There was no experimentation – it was all about conforming to the Miss America ideal. No one told me that Miss America was a persona – “that I didn’t have to actually be perfect. I bought into the whole thing and really tried to be something impossible. It took me years of therapy to recover and just be myself!

Did you get a sense from these three men that being in the Miss Gay America pageant system was a bonding experience or purely competitive?

There must be a little of both when it comes to the men who compete in the MGA system. My experience with their world is pretty limited, but I assume that, just like in the women’s version of pageants, there is a little of everything going on! Competition, bonding, frustration, cattiness…I’m sure it is all there during the process.

Up until this past year, I had been away from the Miss America system for a very long time. I’ve had no interest, other than watching the pageant on television, in being involved with it. It is frustrating to me that women have to compete in swimsuits for a scholarship prize. It doesn’t make sense to me. I think it’s an outdated concept and one that I don’t support. There should be better ways of providing educational scholarships to young women.

However, just this past year, I’ve become friends with a group of former Miss Americas. We had a wonderful rendezvous in the Santa Barbara wine country. I got to know them – we got to share our strange, mutual experience of wearing the crown and what that year entailed for us. We are all very different, and our lives have taken divergent paths, but we still share that one experience. The stories of how we got there, how we felt about ourselves and how it changed our lives are all very different as well. It was one of the best weekends I have ever spent. I’ve made friends that I will have for the rest of my life.

Did you ever see the rule book for Miss Gay America? Or Job Summary? Is there is a similar rule book for Miss America?

Wow! I just took a quick look at the rulebook for the MGA pageant. Ha! I am sure that there is something similar for the Miss A Pageant, but I don’t think that “deductions” really play a big part in the process. Miss America is more about awarding points than deducting points. That speaks to the main difference in the two pageant systems. The MGA system is all about creating the “illusion” of a woman – that entails artistry in the creation. The Miss America Pageant is more about presenting the best “you” – the most “ideal.” I’m not saying that the latter doesn’t involve skill or talent, but it is not the same objective as the MGA system.

Female impersonators and drag queens know all the tricks. Did you every pick up a beauty secret or tip from these guys or any female impersonator/drag queen?

If you see “The Damn Deal,” you’ll see that its primary goal is to pull back the curtain on the artistry of creating the illusion of “female.” The makeup and body tricks are fascinating and informative to anyone interested in theatrical makeup and presentation.