Why “OUT on Stage: The Series” is Very Important

It’s no secret that straight, white males have dominated the stand-up comedy scene since its creation. Luckily for members of the LGBTQ community, there’s a new TV series dedicated to changing that. OUT on Stage: the Series showcases LGBT comedians breaking OUT of stand-up comedy’s status quo and presents to the world something groundbreaking that will make a place for queer comics in the stand-up comedy world for years and years to come.

Hosted by Zach Noe Towers, OUT on Stage was filmed in L.A. in front of a live audience and features comics Gloria Bigelow, Janine Brito, Chris Bryant, A.B. Cassidy, Anthony Desamito, Joe Dosch, Jared Goldstein, Eric Hahn, Casey Ley, Julian Michael, Jordan Pease, Raneir Pollard, Jonathan Rowell, Brendan Scannell, Kyle Shire, Irene Tu, and Daniel Webb. The series consists of six episodes that run roughly around 35 minutes, three queer comics performing each episode and sharing their comic routine. You may be asking what’s so revolutionary about that?

After all, LGBTQ comedians aren’t exactly new. I mean, hello? Ellen Degeneres, Tig Notaro, Wanda Sykes, Lea DeLaria, and Jaffe Cohe n are only but a few of the many revered queer comics. The list goes on and on and hopefully will continue to grow as we move forward into the next decade and progress as people. But here’s what really sets OUT on Stage apart from the LGBT comedians before it: it’s queer comedy for queer people.

In the past, LGBTQ comedians performed for primarily straight, cisgender audiences which begs the question: were they truly being accepted or were they just the butt of the joke the whole time? In the world of stand-up comedy, most comedians will take whatever laughs they can get whether it’s at the expense of other people or even themselves, and queer comics are no exception. “I have built a career out of self-deprecating humor, and I don’t want to do that anymore… I put myself down in order to speak, in order to seek permission to speak, and I simply will not do that anymore, not to myself or anybody who identifies with me. If that means that my comedy career is over, then, so be it,” says queer comic, Hannah Gadsby, in her Netflix special, Nanette (2017). But what if this arena where self-deprecation is key to a queer comic’s success is based more on the heteronormative audience than the comic themselves? More to the point, maybe Gadsby’s notion of quitting stand-up comedy isn’t quite the right idea. Maybe all queer comedy needs is the right audience.

With that in mind, what makes OUT on Stage so great is that it doesn’t cater to a straight, cisgender audience, and actually supplies these queer comics with a primarily queer audience. It’s in this uncensored space where LGBTQ stand-up comedians can unabashedly thrive without fear of judgment or persecution, sharing their queer experiences with queer people. In fact, the key to this show’s magic is the experiences that both the audience and the comic share having lived the life of someone who identifies as queer. Whether intentionally or not, this series has given queer stand-up comedy the chance to truly come OUT of the closet and show off its big guns.

While OUT on Stage is a major step for queer-identifying people everywhere, there were also a few drawbacks (that—for the record—could be chalked up to these comics being used to catering to non-inclusive, patriarchal audiences in order to make headway in the stand-up comedy industry). The biggest flaw with the series was that it was incredibly male-centric (although it could also be argued that gay men haven’t had a chance to thrive in the comedy industry because straight men find them threatening to their ideas of manhood and that lesbians created a space because they’re deemed “non-threatening”). Lesbians Irene Tu, Janine Brito, A.B. Cassidy, and Gloria Bigelow showcased their talents on the show, but a more diverse group of LGBTQ comedians would have been even more revolutionary.

In fact, aside from the gays and lesbians, it seemed that the other letters of the acronym were particularly lacking. Seeing as we’re still fighting for trans rights to use the bathroom, maybe comedy isn’t yet quite a safe enough place for transgender people. And bisexuals, I’m sure, are clinging to the low-side of the Kinsey Scale in order to relate to their straight audiences. You can’t exactly blame the oppressed for playing the hand they’re dealt.

Another observation that was less than ideal was the reinforcement of some negative stereotypes amongst the community such as enforced “traditional” gender roles amongst same-sex partners, unsafe sex positivity, and fat shaming. Maybe this analysis is a bit too critical considering it is a stand-up comedy show where political correctness and progressive ideals are put on a slight pause. Regardless, OUT is innovative, and hopefully, we can look forward to the second season of OUT to break down some of these barriers.

At the end of the day, OUT on Stage is a great show for the LGBTQ community to finally get a taste of what comedy aimed at their own experiences is like. If you’re looking for some gut-wrenching laughs, OUT on Stage the series can be streamed on Dekkoo, a gay-centric streaming service. It’s what queer people deserve. One step for gays; a giant step for LGBTQ-kind everywhere.

Very special thanks to Austin for sharing! You can watch OUT on Stage now on Dekkoo.

Two men. A small town. A love that isn’t quite out of reach.

In Pit Stop, a perfectly-crafted American drama, openly gay Ernesto (Marcus DeAnda) and closeted Gabe (Bill Heck) grapple with the sad tribulations of being gay in a small, working-class Texas town. This truly uplifting love story, given great critical praise when it first premiered at the Sundance Film Festival, delicately examines male intimacy, the heartache of unsuccessful relationships and the transformative power of love.

Marcus DeAnda and Bill Heck in Pit Stop

“I need to get on with my life,” Ernesto pronounces as he kicks out live-in ex-boyfriend Luis. Macho yet sensitive, Ernesto still carries a hopeless torch for his other ex-lover, Martin. Meanwhile, down-to-earth building contractor Gabe seeks solace with his ex-wife and six year-old daughter while pining over the loss of his relationship with Chuck. Trying to find connection amidst formidable loneliness – this is the story of Ernesto and Gabe.

Bill Heck and Amy Seimetz in Pit Stop

Reminiscent of such classic rural gay love stories as Big Eden and Brokeback Mountain – and showcasing equally accomplished performances from its handsome leads – Pit Stop achieves an understated tone of authenticity rarely seen on screen as it shows us a tender, beautiful slice of gay American life.

Marcus DeAnda in Pit Stop

Watch the trailer for Pit Stop below. The film is now available on Dekkoo.

Watch the trailer for the profoundly moving new short film Louder Than Words

Louder Than Words, written and directed by Julio Dowansingh, is an independent short film that follows a young musician named Ansel (Luke Farley), and his unexpected encounter with Niall (Marty Lauter), an endearing, deaf dancer.

Marty Lauter in Louder Than Words

When forced to share a studio space, artists Ansel and Niall find themselves awkwardly beside each other, performing song and dance respectively. They have an underlying connection, and that is a closeted interest and admiration of each other. While Niall can read lips, an obvious language barrier still stands between him and Ansel.

Luke Farley and Marty Lauter in Louder Than Words

In order to communicate, Ansel and Niall must step out of their comfort zones, because even though they share similar passions and quickly inspire each other, the inevitable risk of miscommunication – both in language and emotion – remains, rendering their hidden affection almost impossible to express. 

Luke Farley in Louder Than Words

The film explores the sheer struggle that queer people often face in a culture that is yet to fully foster accepting spaces for courtship and love. At its core, the story portrays how difficult it can be to communicate romantic interest as a queer person, and in this case, an added impediment of being hearing impaired.

Luke Farley and Marty Lauter in Louder Than Words

Louder Than Words is now available to stream on Dekkoo. Check out the trailer below.

Censored Dreams takes an insightful look at filmmaking in the Philippines

Get an in-depth look into the independent film scene in the Philippines with this sexy and thought-provoking feature from director Joselito Altarejos.

Censored Dreams takes us through the process of making a gay-themed feature film by following the lives of an aspiring actor named Samuel (played by Arjay Carreon) and a struggling filmmaker named Wilfredo (Richard Quan).

Samuel has hung all of his hopes and dreams on becoming an actor. He’s hoping Wilfredo, who has also staked his livelihood on finishing their film, can help make his dreams a reality. Their hopes, unfortunately, are dashed when the Board of Censors assigns their new project an X-rating, which means it will be banned from being shown publicly. Their path toward fame and fortune is suddenly littered with even more obstacles.

Censored Dreams is available now on Dekkoo.

Take a trip back to 1992

The new 25-minute short film 1992 follows Martin (Louis Duneton), a seventeen-year-old student who and spends the majority of his time behind a video camera, recording everything everything that catches his eye. One day, he meets an older man named Dominique (Matthieu Dessertine), who works as a watchman at his school. After their first encounter, Martin seems to only have eyes for his new crush.

Louis Duneton and Matthieu Dessertine in 1992

Examining infatuations, the frustrations of adolescence, father-son conflict, first-time sexual experiences and the way being a gay teen has changed from the early ’90s to now, director Anthony Doncque’s period piece 1992 is provocative and brutally honesty. The film depicts a warts-and-all sex scene between a teen and a twenty-something that should ring familiar to any or us who came of age pre-internet.

Louis Duneton and Matthieu Dessertine in 1992

Louis Duneton and Matthieu Dessertine give committed, completely fearless performances and Doncque stands out as a talented director worth keeping an eye on.

You can watch 1992 now on Dekkoo. Just be warned: the film features scenes of graphic sexuality. Viewer discretion is advised.

New Series: Single Record

Single Record is a hip-hop series shot as a narrative documentary. The series tells the story of Aaron (Nelson Moses Lassiter) a young rapper fighting through depression as he breaks through in the music industry while coming to terms with his sexuality. As his inner circle witnesses his unraveling, they must work behind the scenes to save his stalling career and ultimately his life, at the same time they manage the fallout in their own personal lives.

The show is designed to illustrate how people can often ignore calls for help and not realize something is wrong until its too late. Single Record is told through the perspective of Aaron’s friends. Each one of them have a different idea of what is going on and each perspective has some truth. The whole truth is revealed by combining all the perspectives. The idea of perspective is to illustrate that we are often unaware how our decisions and actions impact other people and their actions.

“I wanted to create a show that touches on sexuality, identity and self acceptance. I used Hip hop because it is a genre that has strong views on sexuality. I wanted to show the impact these views can have on someone’s life and hopefully change the way people think,” said Lassiter, the show’s creator and star. “As a gay black man who is also a rapper, I deal with these issues and I wanted to create a world that shows what others like me have to go through and ultimately encourage others to accept themselves and others.”

The first six episodes of Single Record are available to stream now on Dekkoo.

Now Available: In the Family

In the Family takes place in the small town of Martin, Tennessee, where Chip Hines (Sebastian Brodziak), a precocious six year old, has only known life with his two dads, Cody and Joey (Trevor St. John and writer/director Patrick Wang). And a good life it is. When Cody dies suddenly in a car accident, Joey and Chip struggle to find their footing again. Just as they begin to, Cody’s will reveals that he named his sister as Chip’s guardian. The years of Joey’s acceptance into the family unravel as Chip is taken away from him. In his now solitary home life, Joey searches for a solution. The law is not on his side, but friends are. Armed with their comfort and inspired by memories of Cody, Joey finds a path to peace with the family and closer to his son.

Wildly acclaimed by critics and in-the-know audiences for his work on this film – as well as the recent duology A Bread Factory, Part One and A Bread Factory, Part Two – writer/director Patrick Wang is one of the most thoughtful, talented and ambitious indie filmmakers most people aren’t familiar with yet.

The late, great Roger Ebert said of In the Family, “I was completely absorbed from beginning to end. What a courageous first feature this is, a film that sidesteps shopworn stereotypes and tells a quiet, firm, deeply humanist story about doing the right thing. It is a film that avoids any message or statement and simply shows us, with infinite sympathy, how the life of a completely original character can help us lead our own.”

In the Family is now available to stream on Dekkoo. Check out the trailer below.

It only takes four minutes and forty-two seconds to reach Ecstasy

He would do anything to be touched by his former lover once more… ANYTHING.

Writer-director-star Kyle Reaume’s four minute and forty-two second short film Ecstasy is an exploration of the coalescence of love and violence. Playing out in slow motion, with no discernible dialog, the film introduces us to an attractive young man (Justin Miller) sitting alone at the bar. Across from him, he spots an old flame (Harrison Reynolds). Though we know pretty much nothing about their relationship, it’s safe to assume that things didn’t end well.

Reaume juxtaposes one of the couple’s happiest moments with the immensely queasy confrontation that is about to unfold. Ecstasy packs a powerful punch (quite literally) into a very short run time.

You can watch Ecstasy now on Dekkoo and make sure to check out Kyle Reaume’s other available short film, What About Shelley, while you’re at it!

ecstasy cover

Don’t Miss OUT on Stage, the New Dekkoo-Original Comedy Series!

A Dekkoo-Original, co-produced with Comedy Dynamics, OUT on Stage: The Series is now available!

OUT on Stage is THE absolutely hilarious and one-of-a-kind, originally produced comedy hosted by Zach Noe Towers. The director and star of Killer Friends (on Dekkoo now), Zach was one of OUT Magazine’s “10 Comedians to Watch in 2018.” Comedian Sarah Silverman calls him “So, SO, SO Funny.” He’s also the current host of The Elite Daily Show on Verizon’s Go90 Network.

Experience the party when Zach and 16 other top-rated LGBTQ stand-up comedians discuss taboo subjects as only they can. The massive cast includes: Jonathan Rowell, A.B. Cassidy, Casey Ley, Julian Michael, Chris Bryant, Eric Hahn, Janine Brito, Jared Goldstein, Kyle Shire, Jordan Pease, Irene Tu, Raineir Pollard, Daniel Webb, Anthony Desamto, Gloria Bigelow and Joe Dosch.

Gather your friends for a full season of comedy you won’t soon forget! Check out the trailer for OUT on Stage below.

outonstage_poster

Short Film Spotlight: Ultra Bleu

Stylish and sexy, the 20-minute short film Ultra Bleu follows a young man in a love life-related crisis.

Writer-director-star Nick Neon in Ultra Bleu

After a rough confrontation with his cheating ex-boyfriend, Jim (writer-director Nick Neon) comes to think that he’ll never find the love life he’s looking for – especially not through dating apps. Just when he’s ready to throw it all away, he has a chance encounter that gives him a new perspective on romance and life itself.

Writer-director-star Nick Neon in Ultra Bleu

Ultra Bleu writer-director-star Nick Neon is a (devastatingly handsome and exceptionally talented) half-Korean American actor, writer and director from New York City. After directing his feature-length debut, Fear Eats the Seoul in 2011, Neon co-founded the Seoul-based production company NYK Media Group. He also served as Creative Director at Roll the Dice Pictures, where he directed several K-Indie music videos for artists such as Love X Stereo, Henry Bloomfield and Kite Flying Robot. Ultra Bleu marks his return to narrative filmmaking – he’s also working on expanding the short into a feature length film.

Writer-director-star Nick Neon in Ultra Bleu

Check out the trailer for Ultra Bleu below. The film is now available on Dekkoo!