Elizabeth Gracen, director of The Damn Deal, interview.

Have you watched The Damn Deal on Dekkoo yet? It’s a captivating, beautifully lit and shot black-and-white documentary about identity and what it was like to grow up gay in the South at the end of the 20th century. Originally shot in 1997, filmmaker, writer and former Miss America, Elizabeth Gracen, interviewed three young female impersonators who competed in the Miss Gay America Pageant.

In anticipation of the 44th Miss Gay America pageant happening in Memphis from October 5 – 9, Elizabeth Gracen talked about the making of The Damn Deal. It’s a wonderful interview we thought you might like to read.

Miss America 1983 Elizabeth Gracen. Photo by Emma Bogren.

‘My brother was a huge football star and now with me in competition in pageants, that’s my football – that’s me being a football star. I’m just a beautiful football star.” 

– Spencer May/Kelly Cruise, Miss Gay Arkansas America 1993, from ‘The Damn Deal’ (1997)

In 1997, filmmaker, writer and former Miss America, Elizabeth Gracen, interviewed three young female impersonators who competed in the Miss Gay America Pageant system for her captivating, beautifully lit and shot black-and-white documentary “The Damn Deal” (Flapper Films). The recovered, original footage, now restored, explores gender, identity and what it was like to grow up gay in the South at the end of the 20th century.

Crowned Miss America in 1982, Gracen (Elizabeth Ward at the time) went on to study acting, pose on the cover of Playboy, star (as Amanda) in the Nineties TV series “Highlander,” and established her own film production company (Flapper Films) and boutique publishing company (Flapper Press). She recently filmed actress Lee Meriweather for a documentary short and in March released her first Young Adult fantasy novel, “Shallily.”

In anticipation of the 44th Miss Gay America pageant happening in Memphis from October 5 – 9, Gracen talks about the making of “The Damn Deal.”

What initially inspired you to make “The Damn Deal”?

I had the good fortune to meet Spencer May and Michael Thornberry (two of the stars of “The Damn Deal” at a hair salon in Little Rock, Arkansas. I think it was Michael who told me about the local female impersonator pageant. They took me along to the pageant at the Discovery nightclub, and I was allowed to stay backstage as the contestants got ready for competition. I remember sitting in the corner, fascinated with their process. I don’t know what they thought about a former Miss America “spying” on them!

Not long after that, I had the idea to capture Spencer on camera as he morphed from male to female as I asked him questions about his life and experience in the world of female impersonation and pageants. I met Stan Ferguson around that time as well. Sadly, he passed away about two months after we filmed. Michael Thornberry joined on shortly after that.

You judged a Miss Gay Arkansas America pageant. What was your impression?

I think Spencer May got me the gig of judging the Miss Gay Arkansas pageant. It was a wonderful time! I’d never seen anything like it. Back then, I had no idea that there was such a vibrant female impersonator venue in Arkansas. I mean, come on! – Arkansas is smack dab in the Bible Belt! I think that the Discovery nightclub still hosts fabulous shows, but back then… I just think it is amazing that the place existed at all!

Though Miss Gay America is based on the Miss America pageant system, these are men impersonating women. Aside from the obvious differences, what struck you the most? At the time I shot the film, I had been away from the pageant world for quite some time. I was questioning the value of women having to compete with each other to wear a crown. The world of the Miss Gay America system has its parallels, but I think the process is much more exact and arduous. The dedication it takes to bring a “creation” to life takes focus, passion and sense of fun. I think it is a much more difficult endeavor than what I had to go through when I competed. I really admire what they do and the artistry it takes to bring their “creations” to life.

And what did you find similar to Miss America about MGA?

Well, these guys are definitely “in it to win it” when it comes to competition. That is very similar to what I experienced when I was involved in the pageant world in the early 1980s. Obviously, the theatricality is enhanced – the makeup, hair and flamboyant aspect to the performances. However, I think the MGA system hits all the same points when it comes to the attention to detail and the desire to be the “best you can be” at what you are trying to achieve. Honey, they all want that crown!

Many of the men talk about how impersonating a strong woman, inventing a new self, has empowered them. Did you find–for you personally or other women–that competing in the Miss America system was the same kind of empowering experience?

I think that the whole female impersonation pageant experience is very different than what a young woman experiences during her pursuit in the pageant world. For men, I see it as a grand experiment–very artistic and full of humor and curiosity. They are empowered by that experimentation, and I think it kicks it up a notch for them to compete with each other. They really seem to be having fun, and they want to put on a great show for the audience.

For women, or at least with my experience in the pageant system, it involves a different aspect of “facade.” I was only 20 when I won Miss America. I’m from a small town in Arkansas, and I’d been on an airplane only one time before I arrived in Atlantic City. I was very focused and determined, but I had no idea, really, about who I was. It was more about being perfect. There was no experimentation – it was all about conforming to the Miss America ideal. No one told me that Miss America was a persona – “that I didn’t have to actually be perfect. I bought into the whole thing and really tried to be something impossible. It took me years of therapy to recover and just be myself!

Did you get a sense from these three men that being in the Miss Gay America pageant system was a bonding experience or purely competitive?

There must be a little of both when it comes to the men who compete in the MGA system. My experience with their world is pretty limited, but I assume that, just like in the women’s version of pageants, there is a little of everything going on! Competition, bonding, frustration, cattiness…I’m sure it is all there during the process.

Up until this past year, I had been away from the Miss America system for a very long time. I’ve had no interest, other than watching the pageant on television, in being involved with it. It is frustrating to me that women have to compete in swimsuits for a scholarship prize. It doesn’t make sense to me. I think it’s an outdated concept and one that I don’t support. There should be better ways of providing educational scholarships to young women.

However, just this past year, I’ve become friends with a group of former Miss Americas. We had a wonderful rendezvous in the Santa Barbara wine country. I got to know them – we got to share our strange, mutual experience of wearing the crown and what that year entailed for us. We are all very different, and our lives have taken divergent paths, but we still share that one experience. The stories of how we got there, how we felt about ourselves and how it changed our lives are all very different as well. It was one of the best weekends I have ever spent. I’ve made friends that I will have for the rest of my life.

Did you ever see the rule book for Miss Gay America? Or Job Summary? Is there is a similar rule book for Miss America?

Wow! I just took a quick look at the rulebook for the MGA pageant. Ha! I am sure that there is something similar for the Miss A Pageant, but I don’t think that “deductions” really play a big part in the process. Miss America is more about awarding points than deducting points. That speaks to the main difference in the two pageant systems. The MGA system is all about creating the “illusion” of a woman – that entails artistry in the creation. The Miss America Pageant is more about presenting the best “you” – the most “ideal.” I’m not saying that the latter doesn’t involve skill or talent, but it is not the same objective as the MGA system.

Female impersonators and drag queens know all the tricks. Did you every pick up a beauty secret or tip from these guys or any female impersonator/drag queen?

If you see “The Damn Deal,” you’ll see that its primary goal is to pull back the curtain on the artistry of creating the illusion of “female.” The makeup and body tricks are fascinating and informative to anyone interested in theatrical makeup and presentation. 

One of the most extraordinary gay films ever.

Emotionally moving and brimming with youthful energy, ‘The Bubble‘ is a snapshot of three Tel Aviv friends.

Their lives filled with trendy cafes, boutiques and the occasional sexual adventures, the trio seek refuge in their metropolitan “bubble”, isolating them from omnipresent fear of modern warfare around them. But when young Noam falls in love with a Palestinian young man named Ashraf, a chain of events is set in motion threatening their naive, idealistic existence.

Directed by Eytan Fox, The Bubble is as relevant today as it was upon its release 10 years ago. It’s a rich, textured gay romance that is an important link in the chain of great gay cinema.

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Beauty is in the unexpected. ‘Beautiful Something’ comes to Dekkoo.

Four diverse gay men navigate art, sex and love in one sublime night.

Directed by Joseph Graham (he directed Strapped, one of our favorite movies in the Dekkoo collection), Beautiful Something is a romantic comedy-drama that follows four diverse gay men over the course of one eventful night in Philadelphia. Each man is looking for a meaningful connection but usually settles for a quick and dirty hook-up. But in this stunningly photographed film, one extraordinary night will deliver a series of strange and life-changing encounters for each.

We are proud to offer this film the same week as its DVD release. As Dekkoo continues to grow, we will continue to bring our subscribers the very best in gay film. We’re thrilled to have you along for the ride!

Enjoy!

 

Five Dances – The coming of age tale of a gifted young dancer.

“‘Five Dances‘ has one of the sexiest gay-male sex scenes that anyone has seen onscreen in some time.” – OUT Magazine

“Filmed with rare sensuality. A beautiful voyage!” – Premiere

“Stunningly beautiful!” – Next

Five Dances‘ is a coming-of-age tale about an extraordinarily talented young dancer (played by Broadway performer Ryan Steele in his first film role) who has recently arrived in New York City. It is a visually sensual glimpse of life and first love in the ‘downtown’ modern dance world. Shot mostly in and around a Soho dance studio, the film features original work by the internationally renowned choreographer Jonah Baeker. Writer-director Alan Brown and his cast of five of New York’s most gifted dancers capture the emotional turbulence and excitement of a small dance company during the process of creation.

Watch the trailer now.

Finding Me: The Series Season 2 – Now Available!

The ‘Finding Me’ franchise started back in 2008 when first-time Haitian-American filmmaker Roger Omeus, Jr. created ‘Finding Me‘, an inspiring indie film about a young gay black man’s journey of self-discovery, affirmation and love. The success of that first film spawned a sequel, ‘Finding Me: Truth‘ and then an episodic series.

Season 2 continues the journey of lovable Faybien Allen as he navigates complex relationships with lovers and friends. Starring RayMartell Moore, Eugene E. Turner, Miste Roule Ryals and others, Finding Me: The Series Season 2 is now available on Dekkoo!

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Dekkoo gears up for release of our FIRST original series!

Like HBO’s ‘Looking’ or ‘Girls,’ but set in Memphis, Tennessee. That’s how creator Morgan Jon Fox characterizes ‘Feral,’ a Dekkoo.com original TV series that debuts October 6 exclusively on the subscription streaming service dedicated to gay men.

WATCH FERAL AT DEKKOO.COM!

In ‘Feral,’ Fox (who also serves as the series writer and director), weaves a tale of survival as a group of gay 20-something’s learn about love, loss and friendship while
living in the vibrant, artistic queer community of Memphis.

The story line revolves around the lives of Billy and Daniel, two best friends sharing a comfortably broken in bungalow in the diverse neighborhood of Midtown. It begins
when the two are forced to kick out their third roommate, after discovering his heroin addiction.

‘Feral creator Morgan Jon Fox – photo by Breezy Lucia

Known for gritty southern stories about characters on the fringe, Fox describes his protagonists as, “…kids who are left on their own, whether it’s financially, whether
it’s identity, or whether their lovers are deceased. Whatever that is, they’re left to their own devices to carve their own way. They’re feral beings.’

While shows like ‘Looking’ and ‘Girls’ may have provided the template, the Middle America Memphis setting and vibe is what sets ‘Feral,’ refreshingly apart from its
predecessors. Missing are the stock characters, the hipsters, the cliches that are predictably trotted out in gay dramas large and small. “You won’t see the gay stereotypes you see in shows set on the West or East Coast,” promises Fox.

“Now, my characters have theirissues,” Fox explains, “but I didn’t want them to be based in cynicism. I wanted their motives and struggles to be pure and honest in a way that
wasn’t just, ‘I’m a spoiled rich person without meaning in my life. “That the characters are queer is not beside the point “it’s embraced “but it’s not the point, either.”

Jordan Nichols (Billy) and Tristan Andre Parks (Hart) in ‘Feral’

‘Feral’ is not only the first TV series in which thousands Middle American LGBT 20-somethings can finally see themselves realistically reflected, but a welcome window
through which everyone “gay or straight“ can vicariously experience what life is like for the young gay millennials in the American Heartland.

“There are so many stories that are set in New York or L.A., but I feel that we have a story to tell that is uniquely southern,” says Fox. “Memphis is a big city, but because we are in a sense living off the grid, in the Bible Belt, and without the supportive institutions that exist in big coastal cities, we have created our own community, and I think that’s what’s so beautiful about coming up in Memphis.”

Seth Daniel Rabinowitz (Daniel) in ‘Feral’

”Feral’ is about a group of gay kids in their 20s growing up in Memphis, Tennessee and I am one of those things,” says actor Seth Daniel Rabinowitz, who plays Daniel. “It was interesting to take what I experienced growing up in the Mid-South and adapt it to the character. It wasn’t so much that I was playing my character Daniel, as it was that Daniel and I were playing the character together.

What’s striking in ‘Feral’ and beautifully evident in all of Fox’s projects is his ability to create endearing scenes of authentically touching, sometimes heartbreaking intimacy: a quiet embrace in the woods, a twilight conversation on the couch, a softly spoken journal entry.

Fox has directed four feature films including, ‘Blue Citrus Hearts,’ ‘OMG/HaHaHa’ and ‘This Is What Love In Action Looks Like’ are all informed by his painful coming out as a
gay man in the conservative south and has been called one of the originators of the “Memphis Style” of filmmaking known for strong, authentic performances, improvised scripts and tight editing. Filmmaker Magazine named him as one of the “25 New Faces of Independent Film”.

‘Feral’ boasts a soundtrack featuring numerous artists from the Memphis area. Headed up by country-punk band Lucero, it also includes songs by the post-punk quartet Nots and on-the-verge breakout musician Julien Baker, whose debut album ‘Sprained Ankle’ was named “one of the best albums of 2015 by The New York Times.

‘Feral,’ a Dekkoo.com original, debuts October 6, 2016.

‘Feral’ leads: (l-r) Leah Beth Bolton, Chase Brother, Seth Daniel Rabinowitz & Jordan Nichols – photo by Breezy Lucia

Introducing our new iPhone app!

As you slide into your weekend we wanted to let our Apple users know that our brand new Dekkoo app has been made available for iPhone, iPad and iPod touch in the Apple App Store.

This free app will give users easier access to the Dekkoo library and keep you connected while you are on the go. We couldn’t be more thrilled with this roll out and we hope you’ll let us know what you think. Also, please take some time to review our app in the Apple App Store.

In other news, Dekkoo is now on Instagram. Be sure to follow us!

Have a wonderful weekend and be sure to ask your friends, Do You Dekkoo?

Dekkoo now available on AppleTV!

We are excited to announce that Dekkoo is now available on Apple TV. It has been our most requested app and we are finally able to bring it to you.

If you are currently a subscriber, simply download the app (be sure to search for “Dekkoo”) and login with the email you used to sign up for your subscription. You’ll then have access to our entire library.

We are very excited to bring you this great new app and we’ll be working hard to keep improving the experience on all of our apps while rolling out new ones. Watch for great new features and functionality coming throughout the remainder of 2016.

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Gabriel – A delightful short film from Spain!

With so many great gay films to choose on Dekkoo we wanted to make sure you didn’t miss Gabriel.

Director Benjamin Chimoy presents a skillfully-made short film about Gabriel, a 32-year-old Spanish man living with his boyfriend Lars far away from his conservative family. In the days leading up to an imminent visit from his mother, Gabriel starts reflecting on his upbringing and remembering his childhood and his sexual coming-of-age.

Gabriel was a hit on the gay film-festival circuit and we’re thrilled to offer it on Dekkoo.

We hope you enjoy it as much as we did!

Brian

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